Captain America: The First Avenger

Movie
65/100
MovieNerd Score

During World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.

Filmmaking

Overall
76
Screenplay
70
Acting
80
Cinematography
40
Production
50
Directing
30
Concept
75
Story
75
Dialogue
70
Characters
80
Pacing
40
Musical Score
55

Attributes

Entertaining
60
Uniqueness
35
How Much I Like It
70
Twists
10
Artistry
30
Fun
50
Cliche
50
Cheesy
75
Broad Appeal
60
Cerebral
10
Emotional
70
Discussion Worthy
60

Genres

Comedy
15
Drama
10
Suspense
0
Action
80
Mystery
0
Thriller
0
Horror
0
Adventure
10
Romance
50
Science Fiction
60
Fantasy
0
Animation
0

Maturity

Family Friendly
75
Positive Message
90
Thematically Mature
60
Intense
0
Sexuality
0
Nudity
0
Violence
60
Gore
0
Crude
0
Profanity
0
Scary
0
Substance Use
10

1 Review

PF9171
76 Overall70 Screenplay80 Acting40 Cinematography50 Production75 Concept75 Story70 Dialogue80 Characters55 Musical Score35 Uniqueness60 Entertaining

Captain America: The First Avenger (2011) is the fifth installment of "phase 1" in the Marvel Cinematic Universe (MCU). This film is actually fairly solid, I think phase 1 had some struggles coming out of the gate as The Incredible Hulk, Iron Man 2, and Thor are all flawed movies in their own ways, but I think Captain America rises above that crop which acts as a nice build to the finale of the phase. First off, an underratedly loaded cast puts forth good performances across the board, led of course by Chris Evans and Hayley Atwell, who manage to create a believable romance and make it work even as a subplot, so by the end there is actual emotional weight that comes with it, a first for Marvel. Steve Rogers is without question the strongest lead character since Downey Jr's Tony Stark for almost entirely the opposite reasons. He is a true underdog with the strongest moral compass of any of our heroes, and when that comes from a place of weakness, yet stays consistent once true strength is acquired, it makes this character incredibly respectable, likable, and easy to root for. The film's biggest flaws are ultimately the general construction of the second and third acts, which are both underwhelming and underserved by the writing. The second act features a conceptually fascinating rescue of P.O.Ws, which is unceremoniously montaged through in order to push the film at a breakneck pace towards the underwhelming collision between Captain America and the film's underdeveloped antagonist - The Red Skull. Yes, this is yet another Marvel film with a less-than-stellar villain, and unfortunately, this one is not bred from a lazy concept or a forgettable performance; it is bred from a lack of creative utilization of an incredibly interesting character who is backed by a tremendous actor (Hugo Weaving). The conclusion lacks spectacle, impressive choreography, or any mounted tension; however is ultimately saved by the gut-wrenching sacrifice and epilogue that the film concludes with. Overall, when this movie is at its best, it is one of the better Marvel movies to date, but what makes it frustrating is how inconsistent in quality it becomes after the first act concludes. A solid film whose powerful strengths outweigh its noticeable weaknesses.

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