Annette Bening

Acting

Biography

Annette Carol Bening (born May 29, 1958) is an American actress. She has received various accolades throughout her career spanning over four decades, including a British Academy Film Award and two Golden Globe Awards, in addition to nominations for a Primetime Emmy Award, two Tony Awards, and four Academy Awards. Bening began her career on stage with the Colorado Shakespeare Festival company in 1980, and played Lady Macbeth in 1984 at the American Conservatory Theater. She received nominations for the Tony Award for Best Featured Actress in a Play for her Broadway debut in Coastal Disturbances and for the Tony Award for Best Actress in a Play for All My Sons. She is a four-time Academy Award nominee for her performances in the films The Grifters (1990), American Beauty (1999), Being Julia (2004), and The Kids Are All Right (2010). In 2006, she received a motion picture star on the Hollywood Walk of Fame for her achievements in the film industry. For American Beauty, Bening won the BAFTA Award and the Screen Actors Guild Award for Best Actress. She has also received two Golden Globe Awards for her performances in Being Julia and The Kids Are All Right. She was nominated for the Primetime Emmy Award for Outstanding Lead Actress in a Miniseries or a Movie for Mrs. Harris, and in 2019, she played the roles of Supreme Intelligence and Mar-Vell / Wendy Lawson in the Marvel Cinematic Universe film Captain Marvel, which became her highest-grossing release. Description above from the Wikipedia article Annette Bening, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Acting
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Filmography

Acting

42 titles

Rules Don't Apply

Movie

It's Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes' number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes' behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.

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