Deborah Lynn Scott

Costume & Make-Up

Biography

From Wikipedia, the free encyclopedia Deborah Lynn Scott (born 1954), also known as Deborah Scott is a costume designer and set designer, best known for her work in James Cameron's directorial venture Titanic which won her the Academy Award for Best Costume Design. Her first movie as a costume designer was Don't Answer the Phone (1979). Some of her other movies are E.T. the Extra-Terrestrial (1982), Back to the Future (1985), Legends of the Fall (1994), Wild Wild West (1999), The Patriot (2000), Transformers (2007), Avatar (2009), and Love & Other Drugs (2010).

Ratings

Costume & Wardrobe Design
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Filmography

Costume & Wardrobe Design

35 titles

Twilight Zone: The Movie

Movie

1959. Friday nights. We time-traveled. Witnessed surprising twists. Entertained aliens. Experienced fear. And first journeyed to "The Twilight Zone" of Rod Serling's memorable TV series. And guided by four imaginative moviemakers, we traveled there again in 1983. Directors John Landis, Steven Spielberg, Joe Dante and George Miller fashion stories based on or inspired by classic episodes. Landis weaves the tale of a bigot who gets a walloping dose of his own hatred. Spielberg takes over with a fable of senior citizens offered a magical rejuvenation. Dante serves up a terror trip with a child who uses his cartoon-inspired powers to enslave his family. Then fright goes aloft with Miller's finale about a neurotic passenger who sees a monster on the jetliner's wing. Or does he?

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Miscellaneous Crew

4 titles

Twilight Zone: The Movie

Movie

1959. Friday nights. We time-traveled. Witnessed surprising twists. Entertained aliens. Experienced fear. And first journeyed to "The Twilight Zone" of Rod Serling's memorable TV series. And guided by four imaginative moviemakers, we traveled there again in 1983. Directors John Landis, Steven Spielberg, Joe Dante and George Miller fashion stories based on or inspired by classic episodes. Landis weaves the tale of a bigot who gets a walloping dose of his own hatred. Spielberg takes over with a fable of senior citizens offered a magical rejuvenation. Dante serves up a terror trip with a child who uses his cartoon-inspired powers to enslave his family. Then fright goes aloft with Miller's finale about a neurotic passenger who sees a monster on the jetliner's wing. Or does he?

Overall—
Story—
Acting—
Cinematography—
Concept—
Entertaining—
Uniqueness—
Family Friendly—