Hal Pereira

Art

Biography

From Wikipedia, the free encyclopedia Hal Pereira (April 29, 1905, Chicago, Illinois - December 17, 1983, Los Angeles, California) was an American art director, production designer, and occasional architect. In the 1940s through the 1960s he worked on more than 200 films as an art director and production designer. He was nominated for 23 Oscars, winning only one for his work on The Rose Tattoo. He served, along with Earl Hedrick, as artistic director of the popular TV series Bonanza. Pereira started out in theater design in Chicago before moving to Los Angeles and working for Paramount Studios as a unit art director. In 1944 he was art designer for the great film noir Double Indemnity. By 1950 he was supervising art director for the studio, working on such films as the classic Western Shane and The Greatest Show on Earth, which won the Oscar for Best Picture. In 1955 Pereira won the Oscar for best art direction for a black and white film for The Rose Tattoo. In addition, he was the art director on almost all of the important Alfred Hitchcock films of the 1950s. Pereira was educated at the University of Illinois and was brother of architect (and occasional film art director) William L. Pereira.

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Production Design
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Filmography

Production Design

1 title

Miscellaneous Crew

59 titles

Hell Is for Heroes

Movie

World War II drama where the action centers around a single maneuver by a squad of GIs in retaliation against the force of the German Siegfried line. Reese joins a group of weary GIs unexpectedly ordered back into the line when on their way to a rest area. While most of the men withdraw from their positions facing a German pillbox at the far side of a mine-field, half a dozen men are left to protect a wide front. By various ruses, they manage to convince the Germans that a large force is still holding the position. Then Reese leads two of the men in an unauthorized and unsuccessful attack on the pillbox, in which the other two are killed; and when the main platoon returns, he is threatened with court-martial. Rather that face the disgrace, and in an attempt to show he was right, he makes a one-man attack on the pillbox.

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