Jack Fisk

Art

Biography

Jack Fisk (born December 19, 1945) is an American production designer and director. As a production designer, he is known for his collaborations with Terrence Malick, designing all of his first eight films including Badlands (1973), Days of Heaven (1978), The Thin Red Line (1998), and The Tree of Life (2011). His other credits include Phantom of the Paradise (1974), Carrie (1976), Eraserhead (1977), Heart Beat (1980), The Straight Story (1999), Mulholland Drive (2001), Water for Elephants (2011), and The Master (2012). He was nominated for the Academy Award for Best Production Design for There Will Be Blood (2007) and The Revenant (2015). Fisk made his directorial debut with Raggedy Man (1981) and went on to direct the films Violets Are Blue (1986), Daddy's Dyin': Who's Got the Will? (1990), Final Verdict (1991), and two episodes of television series On the Air (1992). Description above from the Wikipedia article Jack Fisk, licensed under CC-BY-SA, full list of contributors on Wikipedia.​

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Production Design
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Filmography

Production Design

18 titles

Mulholland Dr.

Movie

Initially, "Mulholland Dr." was to mark David Lynch's return to television. It is a retooling of a script originally shot as a 94-minute pilot for a TV series (co-written with TV screenwriter Joyce Eliason) for the channel ABC, which had approved the script, but chose not even to air the pilot once it was done in 1999, despite Lynch's labours to cut the project to their liking. It was left in limbo until 18 month later French company Studio Canal Plus (also producer of 'The Straight Story') agreed to pay ABC $7 million for the pilot, and budget a few million more to turn the pilot into a two-hour, 27-minute movie. The cost of the film doubled to $14 million as sets had to be reconstructed and actors recalled.

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Miscellaneous Crew

23 titles

Mulholland Dr.

Movie

Initially, "Mulholland Dr." was to mark David Lynch's return to television. It is a retooling of a script originally shot as a 94-minute pilot for a TV series (co-written with TV screenwriter Joyce Eliason) for the channel ABC, which had approved the script, but chose not even to air the pilot once it was done in 1999, despite Lynch's labours to cut the project to their liking. It was left in limbo until 18 month later French company Studio Canal Plus (also producer of 'The Straight Story') agreed to pay ABC $7 million for the pilot, and budget a few million more to turn the pilot into a two-hour, 27-minute movie. The cost of the film doubled to $14 million as sets had to be reconstructed and actors recalled.

Overall—
Story—
Acting—
Cinematography—
Concept—
Entertaining—
Uniqueness—
Family Friendly—