James D. Bissell

Art

Biography

Jim Bissell is a graduate of the University of North Carolina at Chapel Hill with a BFA in Theater. After working in New York and L.A. on commercials and low budget features, he won an Emmy Award in 1980 for his work on Palmerstown, U.S.A. followed by a BAFTA nomination for production design on Steven Spielberg's E.T. the Extra-Terrestrial. He was the original chair for the Art Directors Guild Awards as well as a former Vice President of the Guild. He has taught at AFI, USC, UCLA extension and the NC School of the Arts and is a member of the DGA, ADG, and Academy of Motion Picture Arts and Sciences.

Ratings

Production Design
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Filmography

Production Design

34 titles

Twilight Zone: The Movie

Movie

1959. Friday nights. We time-traveled. Witnessed surprising twists. Entertained aliens. Experienced fear. And first journeyed to "The Twilight Zone" of Rod Serling's memorable TV series. And guided by four imaginative moviemakers, we traveled there again in 1983. Directors John Landis, Steven Spielberg, Joe Dante and George Miller fashion stories based on or inspired by classic episodes. Landis weaves the tale of a bigot who gets a walloping dose of his own hatred. Spielberg takes over with a fable of senior citizens offered a magical rejuvenation. Dante serves up a terror trip with a child who uses his cartoon-inspired powers to enslave his family. Then fright goes aloft with Miller's finale about a neurotic passenger who sees a monster on the jetliner's wing. Or does he?

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Miscellaneous Crew

38 titles

Twilight Zone: The Movie

Movie

1959. Friday nights. We time-traveled. Witnessed surprising twists. Entertained aliens. Experienced fear. And first journeyed to "The Twilight Zone" of Rod Serling's memorable TV series. And guided by four imaginative moviemakers, we traveled there again in 1983. Directors John Landis, Steven Spielberg, Joe Dante and George Miller fashion stories based on or inspired by classic episodes. Landis weaves the tale of a bigot who gets a walloping dose of his own hatred. Spielberg takes over with a fable of senior citizens offered a magical rejuvenation. Dante serves up a terror trip with a child who uses his cartoon-inspired powers to enslave his family. Then fright goes aloft with Miller's finale about a neurotic passenger who sees a monster on the jetliner's wing. Or does he?

Overall—
Story—
Acting—
Cinematography—
Concept—
Entertaining—
Uniqueness—
Family Friendly—