Kent Sparling

Sound

Biography

After early stints in theatrical sound and lighting design, Kent Sparling spent three years at Sound Transform Systems, hand-building Serge Modular analog synthesizers for musicians such as John McEntire and Trent Reznor. He departed STS in 1995 to work in film sound in Vancouver, BC, and since 1997 has been employed as a sound designer and re-recording mixer at Skywalker Sound, with credits on Sofia Coppola’s The Virgin Suicides, Lost in Translation and Marie Antoinette; Mike Mills’ Thumbsucker; Spike Jonze’s Adaptation and her; and We Own the Night and Two Lovers by James Gray. His deep ties to independent film are exemplified by his work on Lance Hammer’s Ballast, Miranda July’s The Future, Braden King’s Here, Bluebird from Lance Edmands, Ain’t Them Bodies Saints by David Lowery, Kelly Reichardt’s Night Moves and Ira Sachs’ Love is Strange.

Ratings

Sound Design
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Filmography

Sound Design

11 titles

Pete's Dragon

Movie

For years, old wood carver Mr. Meacham has delighted local children with his tales of the fierce dragon that resides deep in the woods of the Pacific Northwest. To his daughter, Grace, who works as a forest ranger, these stories are little more than tall tales... until she meets Pete, a mysterious 10-year-old with no family and no home who claims to live in the woods with a giant, green dragon named Elliott. And from Pete's descriptions, Elliott seems remarkably similar to the dragon from Mr. Meacham's stories. With the help of Natalie, an 11-year-old girl whose father Jack owns the local lumber mill, Grace sets out to determine where Pete came from, where he belongs, and the truth about this dragon.

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Miscellaneous Crew

28 titles

Pete's Dragon

Movie

For years, old wood carver Mr. Meacham has delighted local children with his tales of the fierce dragon that resides deep in the woods of the Pacific Northwest. To his daughter, Grace, who works as a forest ranger, these stories are little more than tall tales... until she meets Pete, a mysterious 10-year-old with no family and no home who claims to live in the woods with a giant, green dragon named Elliott. And from Pete's descriptions, Elliott seems remarkably similar to the dragon from Mr. Meacham's stories. With the help of Natalie, an 11-year-old girl whose father Jack owns the local lumber mill, Grace sets out to determine where Pete came from, where he belongs, and the truth about this dragon.

Overall—
Story—
Acting—
Cinematography—
Concept—
Entertaining—
Uniqueness—
Family Friendly—